Musikbibliographische NeuerscheinungenSource: Fontes Artis Musicae, Vol. 35, No. 3 (Juli-September 1988), pp. 209-211Published by: International Association of Music Libraries, Archives, and Documentation Centres(IAML)Stable URL: http://www.jstor.org/stable/23507475 .

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Musikbibliographische Neuerscheinungen

This work is clearly intended for the general listen

er, not for the scholar, and as a listener's guide it is a

useful one-volume work. By contrast the New Ox

ford Companion to Music (to take a recent example),

although beautifully illustrated and intelligently writ

ten, with serious biographies, does not give works

lists.

A brief bibliographic note: The first edition of this

book was issued by Taplinger and by Bodley Head at

380 pages, and by Paddington Press and by Facts on

File at 406 + [251 pages. The current edition has 592

pages. Ann P. Basart

John A. Emerson. Catalog of Pre-1900 Vocal Ma

nuscripts in the Music Library, University of Califor nia at Berkeley. Berkeley: University of California

Press, 1988. 348 pp. (University of California Publi

cations: Catalogs and Bibliographies, v.4) ISBN 0

520-09703-3. $ 45.00.

This handsomely printed catalog makes a worthy addition to the UCB Music Library's two previous

printed catalogs: the Thematic Catalog of a Manu

script Collection of 18th-Century Italian Instrumental

Music in the UCB Music Library, by Minnie Elmer

and Vincent Duckies (University of California Press,

1963) and The Catalog of the Opera Collections in the

Music Libraries of UCB and UCLA, by Stephen Fry and John Emerson (G.K. Hall, 1983).

The Berkeley Music Library's manuscript collec

tion, some 3500 items, consists of the Tartini collec

tion, a group of 20th-century archival materials, and

a third general group that contains manuscripts from

the 11th through the 19th centuries. John Emerson

has here inventoried the 700 vocal manuscripts of this

latter general collection — some 3300 separate com

positions.

209

As the author explains in his description of edito

rial method, he has decided upon a classified catalog. He has arranged the book into the following topics:

Manuscripts with music by a single identified compos er; Manuscripts with music by a single anonymous

composer; Collections; Religious and service music;

Gregorian chant books and fragments; Music trea

tises; and Correspondence. Each entry provides a catalog number/manuscript

shelf number, the composer(s) and title(s), the physi cal condition of the manuscript, its provenance and

date, the inscription, and the compiler's remarks. An

inventory of contents follows, where relevant, as well

as any bibliographical references.

There are eleven indexes: of personal names (in

cluding names of composers, singers, librettists, own

ers, copyists, booksellers, publishers, and dedica

tees); titles of dramatic works; first lines and song titl

es; musical genres (e.g., cavatinas, oratorios, vaude

villes); names of cities; names of theaters; dramatic

characters; liturgical feasts; dates cited in the manu

script inscriptions; watermarks (by date, by personal name or descriptive work, by letter, etc.); and finally a concordance between the library's manuscript num

bers and the numbers used in the catalog. The thoroughness and abundance of information

in this catalog will make accessible to the public for

the first time a collection of valuable manuscripts. Ann P. Basart

(Note: The foregoing reviews were first published in the March 1988 issue of Cum notis variorum, the newsletter of the Music Library, University of California, Berkeley. They are reprinted with minor editorial revision by permission of the author. - TFH)

Musikbibliographische Neuerscheinungen

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Kämper und Paul Terse. Laaber: Laaber-Verlag „.

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210 Musikbibliographische Neuerscheinungen

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